Tuesday, December 15, 2015

Dead as a doormat: the Dead women



We've talked at length about the differences between the Dead household and Pilate's house. Besides everything else, one of those is the role women play. Obviously, Pilate's household is made up entirely of women. In Macon's house, the women seem to mostly be "seen and not heard", with the exception of Ruth when she's trying to passive-aggressively taunt Macon. Until the very end of the first section of the book, Lena and Corinthians function more as living props/background than actual people. Lena, Corinthians, and Ruth all lead very "small" lives, never stepping out of their little domestic turf. (Of course, at the end of the first section we get to see that Lena and Corinthians, even more than Milkman, are beginning to assert themselves and break away from their parents. Reading that chapter was super satisfying because I spent most of the book to that point thinking that the sisters couldn't actually be as doormat-like as they seemed.)
When the Dead women do retaliate, they usually do it in small ways too: Ruth won't actually confront Macon, but she tells innocent-seeming stories to frustrate him, and she passive-aggressively fights with him over Milkman. Corinthians starts going out with Robert Porter and lies to her parents about her job, but doesn't fight Macon when he finds out about it. Milkman and Corinthians both defy Macon, but the ways they do it fit gender stereotypes: Macon defies his father by attacking him directly, but Corinthians does it by dating a man he doesn't approve of. (Reading about her was super frustrating to me because I just wanted Corinthians to get away from her family and actually have an adult life but no, that doesn't happen) Neither Ruth nor Corinthians are willing to actually stand up to the men in their lives, and stop once they're called out.
Lena's rebellion is perhaps the most overt and "masculine" of the Dead women's: she confronts Milkman directly and tells him what a shitty person he is. The wording she uses (saying that he "pees all over them") highlights Milkman's masculine privilege in the family: women typically don't/can't (literally) piss all over things. It's true, in a way: Macon gives Milkman the respect that he doesn't give his wife or his daughters, without Milkman having to work for it like they do. Milkman doesn't seem to see his sisters or mother as full people, and takes his sisters especially for granted. He totally disrespects Corinthians when he tells Macon about her relationship with Porter. If he wanted her to stop seeing him, he could have talked to her about it instead of going to Macon. Even though she probably wouldn't have taken it well, it would be more respectful to her. Instead, Milkman shows her just how mouch she, a fortysomething-year-old woman, is under the control of her father. (As I'm writing this, I realize that there could be another reason for why Milkman went directly to Macon: if he'd talked to Corinthians about it, she probably wouldn't have believed him, and so going to Macon was the only way he could definitely shut down the relationship.)
I agree with much of what Lena said to Milkman: even though it isn't usually intentional, he takes his mother and sisters for granted and walks (pees?) all over them in the first part of the book. I really, really didn't like Milkman for most of the book, because he spends most of it totally unaware of other people's feelings. He almost reminds me of Meursault like that - he just kind of goes along and has superficially pleasant relationships with people, but doesn't really understand how they're thinking and feeling.

3 comments:

  1. While following Milkman in the beginning of the book, I found myself displeased with the way he dealt or acted upon issues that came up. But, looking back on it, I can understand why he was like that. In almost all aspects of his life, everything has just come easy for him. It's hard to be proud or get emotionally attached to things you don't have to work for. But, once he flies out to Virginia, he works hard to figure out his family history. He has finally found something to be proud of in his life, something that wasn't just given to him, something he earned and worked for. Unfortunately, Milkman doesn't have this huge transformation until thel latter half of his life, as he realizes how many people he has hurt in the process.

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  2. I think you have a good point here. However, I think it is also important to realize that it is very difficult for Lena and Corinthians to simply leave. Financially, this is a large issue. Macon and Ruth sent one of their daughters to college, which did not end up turning out quite well because she couldn't get a job. Being a woman during this time really restricted her opportunities. Furthermore, people were intimidated by an educated woman of color. Therefore, both Lena and Corinthians are trapped in this life where they are not paid enough to live in the same way they are used to on their own. The problem is not necessarily their own, but rather society's.

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  3. We do learn at the end that Corinthians *does* manage to get out from under Macon's thumb--presumably in blatant defiance of her father's wishes. As we discussed during Jonah and Katie's panel presentation on Thursday, Porter gives up the Seven Days and they make a home together, unashamed (presumably) of Corinthians' alleged dip in class status.

    It's true that this is a VERY long time coming--her "coming-of-age" is deferred even longer than Milkman's. But as crazy-love relationships go in this novel, the Porter-Corinthians scenes are rather old-fashioned and sweet--the word "courtship" applies in a way that it doesn't anywhere else in the novel.

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